Bleed - Pram - Perambulations (Cassette)

Download Bleed - Pram - Perambulations (Cassette)
Label: Howl Records - WAIL 002 • Format: Cassette Compilation • Country: UK • Genre: Electronic, Rock, Pop • Style: Experimental


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8 thoughts on “ Bleed - Pram - Perambulations (Cassette)

  1. View credits, reviews, tracks and shop for the Cassette release of Perambulations on Discogs.5/5(4).
  2. Originally released in on Howl Records (UK). This release includes bonus tracks from the Perambulations cassette tape. Trivia note: The "Gash" part of this CD was re-mastered from a previously unopened copy of the vinyl record because the original master tapes could not be found at 4/5(19).
  3. Gash is the debut recording by Pram, and was originally released in as a six track vinyl EP on the band's own 'Howl' record label. This expanded re-issue CD was released in as a full-length album on the æ label with five additional tracks taken from the band's 'Perambulations' cassette.
  4. Perambulations, a Compilation of songs by Pram. Released in (catalog no. WAIL ; Cassette). Genres: Neo-Psychedelia, Post-Rock, Experimental Rock/5(1).
  5. For a couple of years, Pram performed and recorded without a long-term record deal. Their first release during this period was a self-released cassette compilation of early demos and live recordings called Perambulations. The band's next EP, Music for Your Movies, was released on November through Stereolab's label Duophonic Records Genres: Electronic pop, post-rock, experimental rock, .
  6. The Day The Animals Turned On The Cars from Perambulations $ Hawaiian Bubbles from Perambulations $
  7. In Pram left Too Pure, and released a cassette compilation of early demos and live recordings, "Perambulations" - some of these recordings were added to the CD reissue of "Gash". Singles and EPs were recorded for a variety of labels (including Stereolab's Duophonic Records), before the band found a new home at Domino Records.
  8. Pram twisted the old craft of progressive-rock to the point that it became a container for all sorts of odd structures. Rosie Cuckston's childish vocals inhabited a wonderland painted by the surreal colors of Max Simpson's samples and keyboards, plus the occasional trumpet or saxophone, and was constantly challenged by the grotesque charge of a power-trio ignited by Matthew Eaton's guitar.

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